Richard Stevenson
Richard Stevenson has read to audiences across Canada and is the author of 23 full-length books and 7 chapbooks, including, most recently,
Hot Flashes: Maiduguri Haiku, Senru, and Tanka, Parrot With Tourette's, A Charm of Finches, and Wiser Pills. He also occasionally performs
with the rock/poetry group Sasquatch. He regularly reviews poetry and fiction, and periodically runs adult and young adult workshops. He
holds degrees in English and Creative Writing from The University of Victoria and University of British Columbia and teaches Canadian
Literature, Creative Writing, Children's Literature, and Business Communication at Lethbridge College in southern Alberta, Canada.
afflicted the citizens of the lower mainland of British Columbia, in the early eighties. Clifford Robert Olson, a career criminal and serial killer, stalked,
abducted, and killed eleven children we know about. The case is one of the most heinous and grievous on record, and earned Olson the moniker
"The Beast of BC."
The author Stevenson writes: "It is my contention that Olson is just a pimple on the hide of a macho-demento culture, and, hence, the current work is more than
mere pornography or anti-hagiography. Indeed, we're talking about evil, certainly, but also about a sick society that privileges these stories and begets bad actors,
board games, serial killer cards, song lyrics, magazines, web sites, computer games and all sorts of misogynistic effluvia that are symptoms of a much bigger disease
than individual psychopathy."
Stevenson questions: "Is the culture psychopathic? Maybe, but the debates about nature/nurture, rehabilitation/retribution, etc. need to go far beyond true crime
invective. We need to look in the mirror to determine why the west spawns so many of these evil creatures. Olson, like Ted Bundy before him, knew he had charisma,
and used all the culture's worst vices to aid and abet his agenda. That's why the case bears poetic investigation."
"I had the rather disconcerting experience of coming home from two years in Africa to find the first book on the case and a thumbnail photo on the inside back cover
of one of the victims, who just happened to be one of the first students I taught. It's been more than thirty years since that shock provoked a poetic response of a suite
of six poems in the various voices of the principal persons involved in the case, which appeared in my fifth book, Learning to Breathe. I've since expanded that suite to
an (as of yet) unpublished booklength long poem sequence."